This is definitely Mac’s most approachable album to date and has a very chill and laid-back atmosphere. Weak tracks: On The Level, Still Beating, Sister The lyrics at times became redundant, and some of the tracks were just not fleshed out well or did not contribute well to the message or flow of the rest of the album.įavorite tracks: My Old Man, Baby You’re Out, One More Love Song, Watching Him Fade Away My major concern is that I felt in the end that a full-length album may not have been necessary to convey his feelings, thoughts, and exploration of a new sound. There will always be weight and impacts from relationships, no matter how present or absent that person may be.
And his reflections on his relationships with his father offers the point that even if the ties are not present, family is still vital, formational. And what he is processing is all very relatable – relational tension, fallout, or brokenness is ubiquitous in the human experience. We just have the privilege to be listening in on them. And this is one of his most personal albums yet, as though it is just for him as he processes struggles in his life – or maybe even for his girlfriend to hear as a means of communicating what’s on his heart. I have a huge appreciation for DeMarco’s continued presence in the music industry, striving to be his unique self and not giving anyone the slightest ground to claim he’s going too commercial or selling out. I believe he has found a great balance in his works. When I listen to this album intentionally, I am seriously enjoying it, but at the same time do not feel bad about putting it in the background. There are some albums that are very attention demanding, and there are albums that are generally meant for the listener to just sing along to or put in the background.
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However, it did feel that DeMarco did not always know how to best use this new tool in his repertoire. However, as the album progressed he relied less and less on his incredible guitar playing talent, and letting the synth steal the show, which for the most part added beautifully to the tone of the album. The vocals and lyrics are signature DeMarco, being some of the best he has released yet. This Old Dog took a turn in DeMarco’s growth as a musician, one that I welcomed but did not wholly expect, with the strong inclusion of synth in this album, whereas that had been sparse to absent in his previous works. This Old Dog contains some great new tracks, but its poor pacing, lack of a developed sound, and some failed experiments make this not a bad album, but a disappointment from such an accomplished songwriter. Utilizing simple, direct lyrics and smooth and unique instrumentation, he cultivates dreamscapes of these different internal struggles and how messy and complex emotions and relationships can be. On This Old Dog, DeMarco sings of heavy thoughts and feelings about his father’s imminent passing, seeing his father in himself more and more, while also trying to learn from misunderstandings with his girlfriend. With little surprise, DeMarco stays true to his inviting quirkiness in both style and lyrics. Following two months after the release of the videos for the tracks “My Old Man” and “This Old Dog,” DeMarco has released his much-anticipated third full-length album, This Old Dog.
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Mac DeMarco is a lovable goofball who’s proven himself as one of the best guitarists and musicians in the indie rock scene today.
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